«This article analyses Spanish-independent documentaries that deal with issues of immigration in Ceuta, Melilla and Barcelona from 2005 to 2012. Departing from Walter Mignolo’s ‘border thinking’ and Hamid Naficy’s systematizations of the ‘interstitial mode of production’ and ‘the independent transnational film genre’, we situate these audiovisual practices as political and cultural interventions from below in recent debates about borders and immigration cinema (…)».
By Josetxo Cerdán & Miguel Fernández Labayen
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